Surge XT 1.3.4 Standalone, CLAP, VSTi 3 [En]

[FaridKhan]

Interface language: English

System Requirements:

Windows 7 or newer (64-bit/32-bit)
3 GHz quad-core processor featuring SSE2 instructions or better
Minimum of 4 GB of RAM
Host: Works both in Standalone and as a VST 3, CLAP plugin

Description:
Free and open source hybrid synthesizer. Multiple synthesis methods, a large selection of filters, a flexible modulation engine, a range of effects and advanced features such as MPE and microtuning.
If you've used it in the past, it will be like bringing an old friend back into your life. If you're new to Surge XT, welcome to the party.
Additional information:

Synthesis method: Subtractive hybrid.
Each patch contains two scenes, which are separate instances of the entire synthesis engine (excluding effects), which can be used for multi-layered or split patches.
Browser of patches by category.
MPE support.

3 oscillators per stage.
12 universal generator algorithms: Classic, Modern, Wavetable, Window, Sine, FM2, FM3, String, Twist, Alias, S&H Noise and audio input.
The classic oscillator is a pulse/saw/dual saw oscillator with conversion capability with an auxiliary oscillator and hard synchronization.
The modern oscillator is a mixed saw/pulse/triangle oscillator with an additional auxiliary oscillator mode for triangle (and this can also be changed to sine or square) and hard sync.
The FM2 and FM3 oscillators consist of a carrier, 2 or 3 modulators and various options.
A string oscillator uses two filtered waveguides to simulate plucked or bowed string sounds.
The Twist oscillator is based on the very famous Eurorack macro oscillator and offers many synthesis options in a very easy to use way.
Most algorithms (except FM2, FM3, Twist and Audio Input) offer up to 16-voice unison at the oscillator level.
FM oscillator in 3 different configurations and ring modulation between oscillators 1-3 and 2-3.
Most generation algorithms (with the exception of FM2, FM3, Sine and Alias) are strictly band-limited, but still cover the entire audible spectrum, providing a crisp, punchy yet clean sound.
Variable spectrum noise generator (available directly in the generator mixer).

Two filter banks in 8 different configurations.
Feedback loop is available in 7 of these configurations.
Available filtering algorithms: Low-pass filter (12 and 24 dB/octave, each with 3 variations), Legacy Ladder low-pass filter (6-24 dB/octave), Vintage Ladder low-pass filter (2 options, each with and without gain compensation her), high pass filter (12 and 24 dB/oct). 24 dB/octave, each with 3 variations), bandpass filter (12 and 24 dB/octave, each with 3 variations), Notch (12 and 24 dB/octave, each with 2 variations), Allpass (3 variations), comb ( positive and negative), S&H.
Open source additions to our filter bank include: K35 and Diode Ladder filter types from Odin 2, 12 and 24 dB/oct multi-mode filters from OB-Xd, and the weird but fascinating Cutoff Warp, Resonance Warp, and Tri filters -Pole by Jatin Chowdhury
Filters can self-oscillate and respond surprisingly quickly to changes in cutoff frequency.
Waveshaper (43 shapes).

There are 12 LFOs available, 6 per voice and 6 for the entire stage.
DAHDSR envelope generators on each LFO.
The LFO shapes consist of 7 warpable LFO waveforms, a step sequencer, a full multi-segment envelope generator (MSEG) with various curves and up to 128 nodes, and last but not least, a formula modulator that uses the Lua scripting language to provide fully customizable modulator output.
Voice LFOs allow you to retrigger the envelope in step sequencer mode.
Extremely fast and flexible modulation routing. Almost every continuous parameter can be modulated.

16 effect blocks, arranged with 4 inserts per stage, 4 sends and 4 master effects.
27 effect algorithms:

FILTERING:
3-band fully parametric equalizer.
11-band graphic equalizer.

DISTORTION:
CHOW (maximum aggressive distortion with compressor-like control).

MANGLING:
Combulator (like a resonator, but using comb filters).
Frequency Shifter.

MODULATION:
Chorus.
Ensemble (BBD based or pure!).
Flanges.
Phaser.
Rotary Speaker.

TIME & SPACE:
Delay.
Reverb 1.
Reverb 2.
Spring Reverb.

MULTIEFFECTS:
Airwindows (contains 56 wonderful effects of various kinds!).
Conditioner (bass/treble equalizer, stereo image and limiter).
Mid-Side Tool

General:

- Synthesis method: Subtractive hybrid.
- Each patch contain two scenes which are separate instances of the entire synthesis engine (except effects) that can be used for layered or split patches.
- Category-based patch browser.
- MPE support.

Oscillators:

3 oscillators per scene.
- 12 versatile oscillator algorithms: Classic, Modern, Wavetable, Window, Sine, FM2, FM3, String, Twist, Alias, S&H Noise, and audio input.
- Classic oscillator is a morphable pulse/saw/dual saw oscillator with a sub-oscillator and hard sync.
- Modern oscillator is a mixable saw/pulse/triangle oscillator with an optional sub-oscillator mode for triangle (and it can also change to sine or square) and hard sync.
- FM2 and FM3 oscillators consist of a carrier and 2 or 3 modulators and various options.
- String oscillator uses two filtered waveguides to emulate plucked or bowed string sounds.
- Twist oscillator is based on a very famous Eurorack macro oscillator, and it offers a myriad of synthesis options in a very easy to use way.
- Most algorithms (except FM2, FM3, Twist and Audio Input) offer up to 16-voice unison at the oscillator level.
- Oscillator FM in 3 different configurations and ring modulation between oscillators 1-3 and 2-3.
- Most oscillator algorithms (except FM2, FM3, Sine and Alias) are strictly band-limited, yet still cover the entire audible spectrum, delivering a clear punchy yet clean sound.
- Noise generator with variable spectrum (available directly in the oscillator mixer).

Filter Block:

- Two filter units in 8 different configurations.
- Feedback loop available in 7 of those configurations.
- Available filter algorithms: Lowpass (12 and 24 dB/oct, each with 3 variations), Legacy Ladder Lowpass (6-24 dB/oct), Vintage - Ladder Lowpass (2 variations, each with and without gain compensation), Highpass (12 and 24 dB/oct, each with 3 variations), - Bandpass (12 and 24 dB/oct, each with 3 variations), Notch (12 and 24 dB/oct, each with 2 variations), Allpass (3 variations), Comb (positive and negative), S&H.
- Open-source additions to our filter bank contain: K35 and Diode Ladder filter types from Odin 2 synthesizer, 12 and 24 dB/oct multimode filters from OB-Xd, and weird but fascinating Cutoff Warp, Resonance Warp and Tri-Pole filters by Jatin Chowdhury.
- Filters can self-oscillate (with excitation) and respond amazingly fast to cutoff frequency changes.
- Waveshaper (43 shapes).

Modulation:

- 12 LFO units available, 6 are per voice and 6 are global for the whole scene.
- DAHDSR envelope generators on every LFO.
- LFO shapes consist of 7 deformable LFO waveforms, step sequencer, a fully-fledged multi-segment envelope generator (MSEG) with various curves and up to 128 nodes, and last but not the least - a formula modulator which utilizes Lua scripting language to provide completely custom modulator output.
- Voice LFOs allow envelope retriggering in step sequencer mode.
- Extremely fast and flexible modulation routing. Almost every continuous parameter can be modulated.

Effects:

- 16 effect units arranged as 4 inserts per scene, 4 sends and 4 master effects.
- 27 effect algorithms:

FILTERING:
- 3-band fully parametric EQ.
- 11-band graphic EQ.
- Exciter (based on a famous "type B" studio rack unit).
- Resonator (inspired by a resonator from a vintage polysynth that rhymes with "vogue").

DISTORTION:
- CHOW (maximally truculent distortion with compressor-like controls).
- Distortion.
- Neuron (distortion based on Gated Recurrent Unit).
- Tape (based on the awesome ChowDSP ChowTapeModel!).
- Waveshaper (the same one as in the filter block).

MANGLING:
- Combulator (like resonator, but using comb filters instead).
- Frequency Shifter.
- Nimbus (a famous Eurorack live input granularizer).
- Ring Modulator.
- Treemonster (pitch-tracked ring modulator from Shortcircuit 2!).
- Vocoder.

MODULATION:
- Chorus.
- Ensemble (BBD-based or clean!).
- Flanges.
- Phaser.
- Rotary Speaker.

TIME & SPACE:
- Delay.
- Reverb 1.
- Reverb 2.
- Spring Reverb.

MULTIEFFECTS:
- Airwindows (itself containing 56 wonderful effects of various kinds!).
- Conditioner (low/high EQ, stereo image and limiter).
- Mid-Side Tool.

Difference between x64 and x32

64-bit (Standalone, CLAP, VST3)
32-bit (Standalone, VST3)

️ Surge XT 1.3.4 Standalone, CLAP, VSTi 3 [En] (347.39 MB)

NitroFlare Link(s)

https://nitroflare.com/view/89A13185C8F2A8C/Surge.XT.1.3.4.rar

RapidGator Link(s)

https://rapidgator.net/file/184d5ed640976111bd492cd91c26dca0/Surge.XT.1.3.4.rar