µ-ziq - 1977 (2023) FLAC/MP3

[oaxino]

µ-ziq - 1977 (2023) FLAC/MP3
FLAC (tracks) - 351 MB | MP3 CBR 320 kbps - 161 MB
1:07:44 | Electronic | Label: Balmat

When we established Balmat in 2021, neither of us could have imagined that within two years, we'd be putting out an album by one of our musical heroes: Mike Paradinas, aka µ-Ziq. The British producer has been an inspiration to label co-founders Albert Salinas and Philip Sherburne since the 1990s. In fact, his album-length remix project The Auteurs Vs µ-Ziq was one of the very first pieces of electronic music that Philip bought, way back in 1994. To have the opportunity to release his music now feels like a real full-circle moment.

Paradinas, of course, needs no introduction. Under a slew of aliases, chief among them µ-Ziq, the British artist revolutionized leftfield electronic music in the 1990s-coincidentally, this year marks the 30th anniversary of his debut album, Tango N' Vectif, for his friend and sometime collaborator Aphex Twin's Rephlex label-and his label Planet Mu has built up a formidable catalog of visionary, forward-looking records, mapping virtually every corner of the electronic spectrum. With 1977, he turns the clock backward in a sense, and not just with the album's title: Rooted in classic ambient and electronic sounds, these 15 tracks evoke the anything-goes spirit of the early '90s, before the tools and tropes had calcified into cut-and-dried styles.

There's no shortage of familiar sounds on 1977. There are echoes of raves and chillout rooms and transmissions from the fringes of techno; there are detuned synths and glistening reverb tails and, above all, gauzy vox pads, the eerie glue that holds it all together. The title, he says, is meant to invoke a general sense of nostalgia, bookmarking a year in his boyhood when he became more self-aware. More than anything, 1977 sounds like µ-Ziq distilled: Stripped of his signature breakbeats and customary chaos, Paradinas' first-ever strictly (well, mostly) ambient album presents the essence of his music in a whole new light.

Along the way Paradinas touches on dark-ambient drones ("Marmite"), horror-film themes ("Belt & Carpet"), jungle breaks ("Mesolithic Jungle"), and even house music ("Houzz 13"), which marks the first bona fide dance-floor moment on Balmat to date). Yet the album never-to our ears, anyway-feels expressly retro. Rather, Paradinas plucks timeless sounds out of the ether and gives them a gentle tap, spinning them into unexpected new orbits. At times, 1977 feels like an experience of extended déjà vu: When we first listened to it, we had the sense that we already knew this music. It was as though we had heard it years ago, perhaps on a battered cassette tape lent to us by a friend, and been searching for it ever since. We hope you feel the same.

Tracklist
1. 4am (04:13)
2. Eire (06:22)
3. Allegro (04:33)
4. Houzz 13 (05:03)
5. Belt & Carpet (03:58)
6. Marmite (06:27)
7. Asda (02:48)
8. 1977 (feat Meemo Comma) (05:36)
9. Xolbe 3 (05:59)
10. Burnt Orange (03:18)
11. Lime Aero (04:31)
12. Reference Gravy (02:34)
13. Mesolithic Jungle (04:16)
14. Pillowy (03:08)
15. Froglets (04:58)

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